Items:486
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Quintons Road
House. Probably late C16 with C17 rear cross wing. Timber-framed, rendered. Part underbuilt in brick. Plain tile roof.
Constable Painting
81. Bridge Cottage
Watercolour, 1832, 11.5cm x 19.1cm, V&A

Bridge Cottage with Flatford Bridge behind to the left.

Constable dated this drawing 12 November 1832 and it comes from a sketchbook that he first used in 1831

Died in the Second World War

The first of the East Bergholt men to die in the Second Worl War, Edward was also the second youngest.  His ship - the destroyer HMS Thanet - was sunk by the Japanese off the coast of Malaya.  It is not certain whether Edward lost his life in the sinking or shortly afterwards, as it is widely believed that a number of the survivors were murdered by the Japanese.

Died in the Second World War

The youngest of the men commemorated on the Memorial (by just one month), John served with 166 Squadron in Bomber Command.  He was killed along with four other members of his crew when their Avro Lancaster was shot down during an operation against Dortmund on the night of 22/23 May 1944.  Two other crew members managed to bail out and became Prisoners of War.

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Quintons Road, to the right of Blacksmiths Cottage
Smithy. C16 origin, later alterations. Timber-framed, part cased in brick and part weatherboarded. Pantile roof. Brick stack.
Constable Painting
82. Dedham Vale evening
Oil on Canvas, 1802, 31.8cm x 43.2cm, V&A

This view up the Stour valley towards Stoke-by-Nayland with Langham just out of sight on the left, believed to have been painted behind West Lodge, home at the time to dear friend and elderly neighbour Mrs Sarah Roberts.

Pencil, 1814, 11.4cm x 8.3cm, V&A

Two pencil sketches of East Bergholt House, the Constable family home, inscribed by the artist ‘below the house by moonlight’

Died in the Second World War

Called up in October 1939, Edgar served as a Driver with the Royal Engineers but was captured by the Japanese when Singapore surrendered in February 1942.  He subsequently endured 20 months of slavery in barbaric conditions before succumbing to disease on the island of Formosa (now called Taiwan). 

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Cottage. Probably C17 with C18 and later alterations. Timber-framed, rendered. Painted brick front in Flemish Bond. Plain tile roof.
Pencil and Watercolour, 1805, 17.1cm x 27cm, V&A

This view of Dedham Vale drawn from the top of Fen Lane, the track Constable had taken each day to the Grammar School in Dedham.

Died in the Second World War

Serving in the 5th Battalion of the Suffolk Regiment, Sidney was captured at the surrender of Singapore in February 1942.  As a Prisoner of the Japanese, he was used a slave labour and subjected to brutal treatment in inhuman conditions.  Sidney died during the construction of the notorious “Death Railway”, leaving a wife and two young children. 

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House and cottage, now restaurant. 3 builds, central section C16 with probable C17 section to left and C18 cottage to right. Timber-framed, rendered. Plain tile roof, red brick stack. Two storeys and attic with single-storey cottage projecting to right gable end to street.
Constable Painting
85. West Lodge
Drawing, 1806, 10.1cm x 16.8cm, British Museum
A view across the lawns at the back of West Lodge (Now Stour House), the house belonging to friend and elderly neighbour, Mrs Sarah Roberts.
Died in the Second World War

As part of the 4th Battalion of the Suffolk Regiment, William disembarked in Singapore on 29th January 1942.  He was killed in the last days of the fighting to defend the island, just before it surrendered to the Japanese. 

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House, including railings and gate. House: C18 remodelling and refronting of C16-C17 core. Timber-framed, rendered, refronted in red brick in Flemish bond. Plain tile roof. Front range two storeys and attic, 7 bays 2:3:2.
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Off Straight Road, towards East end
A farmhouse, formerly a hall house of the C15 or C16, converted into a lobby-entrance house in the C17 with minor C19 and C20 alterations.
1804 oil on canvas 20.5x33cm Beecroft Art Gallery

Although the painting location for this piece is not exactly known, the view looks out across the valley to the south bank of the Stour towards Manningtree and Mistley.

The red bridge is that of Catawade and the bridge to the right was demolished in 1911.
It has been suggested that the ship in the picture may have been the ‘Telegraph’, owned by Constable's father and moored at Mistley.

Died in the Second World War

An Admiral in the Royal Navy, Sir William Wake-Walker played a leading role in the evacuation from Dunkirk and also the hunt for the German Battleship, Bismarck.  From 1942 to 1945 he served as Third Sea Lord and Controller of the Navy.  

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Cottage, now also petrol garage premises. Early C19. Brick, colourwashed. Plain tile roof. Two storeys and attic.
Pen and Watercolour, 1797, 25.8cm x 39.7cm, V&A

Pen and watercolour sketch of East Bergholt church with yellow, blue and red wash, squared for enlargement with pencil, one of Constable's earliest sketches in the village.

Died in the Second World War

The son of a career Army office who had been one of the early pioneers in the use of the Tank, Peter   served in Italy with the 4th Queen’s Own Hussars, part of the Royal Armoured Corps.  He was killed near the town of Coriano during the Allied attempts to breach the German defences forming part of the Gothic Line.

Constable Painting
88. Dedham Vale
Oil on Canvas, 1802, 33.3cm x 41.6cm, Yale

A view from Flatford Lane over the valley to Dedham, with Dedham Church clearly to the centre.

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War memorial. 1921. By FC Eden. Clipsham ashlar. In the form of a wayside cross on an octagonal shaft with carved foliage band at the top.
Constable Painting
89. Willy Lott's house
Oil on Canvas, 1802, 33.7cm x 42.6cm, Sterling & Francine Clark Museum

One of the first views of Willy Lott's House, from Constable's studies in the summer and autumn of 1802

2*
Grade 2 star listed timber framed house dating from the early 1400s. With many original features including carved and fluted beams and medieval wall paintings.
The main part of the house is a former open hall and the other side was constructed about 400 years ago using the timbers from an old bakery which had originally been located elsewhere in the village. Also, there was originally an additional wing to the house, but this was dismantled and then rebuilt as Chaplins Cottage many years ago.
Constable Painting
90. A view on the Stour
Oil on Canvas, 1810, 26.7cm x 26.7cm, John G Johnson, Philadelphia

Although the exact location cannot be identified, it is believed to be down stream at Flatford looking towards the lock and is said to be the earliest dated example of oil studies executed around 1810-1812 in which Constable's technique is said to be first apparent.

2*
Timber framed - thought to have originated as an Inn during the wool trade circa 1402 - 1408.
Current house structure from early C16. Kennels and dove cot added circa 1700 and modern extensions followed.
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The Street
Coach-house and stable block, now cottages. C18 with additions and conversion to cottages early - mid C19. Red brick in Flemish bond. Plain tile roof. One storey and attic.
Watercolour, 1806, 18.3cm x 18.7cm, Yale

Looking out of the south tower of St Mary's Church. Watercolour over graphite on medium, slightly textured cream wove paper.

Constable Painting
92. Willy Lott's House
Oil on Canvas, 1816, 19.4cm x 23.8cm, Ipswich Museum

Willy Lott's House from the Mill side.

Willy Lott’s house featured in many of Constable's paintings, the most notable being ‘The Haywain’ 1821.